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TRIP

by Lambchop

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      $6 USD  or more

     

  • Compact Disc (CD) + Digital Album

    Housed in a 4-panel gatefold wallet with spot gloss details.

    Includes unlimited streaming of TRIP via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
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      $12.98 USD or more 

     

  • Record/Vinyl + Digital Album

    Black vinyl in a printed paper dustsleeve, housed in a jacket with spot gloss details. Includes digital download card.

    Includes unlimited streaming of TRIP via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    Purchasable with gift card

      $19.98 USD or more 

     

  • Record/Vinyl + Digital Album

    Limited-edition pressing on coke-bottle clear & yellow swirl vinyl. Includes a 7.5” square blotter paper print and download card.

    Includes unlimited streaming of TRIP via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    Purchasable with gift card

      $21.98 USD or more 

     

1.
Reservations 13:00
2.
3.
Shirley 04:35
4.
Golden Lady 06:41
5.
6.

credits

released November 13, 2020


Reservations [13:00]
(Jeff Tweedy)
120419

🔲
Where Grass Won’t Grow [6:42]
(Earl “Peanut” Montgomery)
120219


Shirley [4:35]
(Jamie Klimek and Jim Crook)
120319


Golden Lady [6:42]
(Stevie Wonder)
120519


Love Is Here and Now You’re Gone [3:28]
(Brian Holland, Edward Holland and Lamont Dozier)
120619

🙵
Weather Blues [3:26]
(James McNew)
120719


Lambchop
is
Tony Crow ♦
Matthew McCaughan ❍
Paul Niehaus 🔲
Andy Stack ♋
Matt Swanson ♦
Kurt Wagner 🙵

Produced, Engineered and Mixed by Jeremy Ferguson
Recorded December 2–7, 2019 @ Battletapes
Nashville, Tennessee. Visit the Country Music Hall of Fame.

Cover photographic imagery by Elise Tyler
Back cover photograph by Dick Swanson, used by permission of swanson-media.com
Design by NFsansjj

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all rights reserved

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about

Lambchop Nashville, Tennessee

Lambchop began in the 1990s, at the time pronouncing itself “Nashville’s most fucked-up country band.” Provocative it may have been, but the description made sense: at the heart of all that ruckus was a band at once defying and embracing the musical legacy of its hometown. ... more

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